Joel: I’m really struggling to understand you here, so be patient.
If I brought you to Clay Co to teach a class on “What is good music?,” your answer would basically be that there are objective standards of beauty that dictate what is good music. I assume that, if pressed, you would say that while all human beings can understand those standards, imperfectly, you would also say that musical elites are in a position to tell us what is good music, and that we should reject consumer forces and listen to what they have to say.
I’m not being snarky. I’d make the same argument- more or less- with two things I love: poetry and preaching. But there is a reason I preached better sermons than other preachers in Clay Co, but preached them to an empty church. And there is a reason that tonight at soli deo, I won’t be using the “best” music by that definition.
Let’s take the soli deo thing. Why will I not be teaching some great hymn, but doing a worship chorus instead? Will it be because of consumerism? Perhaps, but as a reflection of our freedom to choose, the adaption to the instruments and space we have available, the particular needs of our liturgy, the time I have to teach, the ability of my group to relate to language, prior attitudes about hymns and so on.
Our group is educated and capable of appreciating the best music, but psychology, history, anthropology, history, prejudice, a history of association, pragmatism….all will go into our decision. And I’m pretty sure that the decision about what we sing will, in the end, be right for us, because the aesthetic standard shouldn’t be the primary thing dictating what we do musically.